“The totality of the work is a documentation of human existence” states Shankbone, who has photographed everything “from subway stations to Kanye West; from Madison Avenue to Madonna; from the Rocky Mountains of Colorado to the hills of southern Lebanon.” And, as of this past March, Israel, where he was invited as a guest of the Ministry of Foreign Affairs. For his project, Shankbone snapped pictures of Jerusalem that are illustrative…

and poetic…

…ranging from the Old City…

…to the New…

…the past — and possibly the future!

Shankbone’s Wikipedia work is an amazing resource, giving users the benefit of being able to use work from a photographer who is both skilled technically, and an artist in terms of effect and composition.

They can also benefit from his news-savvy. On Wikinews, which is Wikipedia’s news arm, Shankbone has posted over 40 interviews with global cultural leaders. A story about the project entitled, “Why Shimon Peres sat down with David Shankbone” is definitely worth a read as it explains a bit about his history and the project.

by Hope Bordeaux

Here is a great image of the Occupy Wall Street protests from earlier this month. In some ways, it represents the convergence of the two topics I’ve been writing about here–American economics and alternative ideas for these dominant cultural systems–in the form of this photograph.

Photograph of OWS Protest by David Shankbone

The photographer is David Shankbone, who licenses his work via a Creative Commons license. For those of you who haven’t heard of Creative Commons, the idea is open up artistic work to the public, to be freely read or viewed, in part to protest standing copyright regulations. The Creative commons movement sometimes refers to itself as the “copyleft” alternative to emerging–and increasingly harsh–concepts like Digital Rights Management. It’s something that we’ve discussed here the Poly as an option for the website. Shankbone describes his views in an interview with GOOD Magazine:

Getty Images approached me on Flickr because they had a client who wanted to purchase some of my OWS work, but I would have needed to take those shots out of the Creative Commons. I decided against it. What is going on in Zuccotti Park is important, and people need to see it unvarnished without having to wade through all sorts of possessiveness.

Americans are often trained to measure worth only in dollars, but I care more about experience than money. I was at a party once where someone asked me about my work and she said I must make a lot of cash. When I said I give my photos away to the public, she looked at me like I was a fool. She derisively asked, “Why would anybody do that?” and I replied “What did you do last Tuesday?” She said that she came home from work late and watched Law & Order on her DVR.  I said, “Last Tuesday I had a four-hour dinner with Augusten Burroughs, and then I photographed him. I didn’t make any money off of it, but it was a hell of a Tuesday night.” Then she smiled and got what I was about.